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26.3.17

Dikili Tash

Dikili Tash (also known as Dikilitaş) is a prehistoric tell settlement rising 16m above the Drama plain, in Eastern Macedonia, and located about 1.5 km east of ancient Philippi.

The site name means “upright stone” in Turkish (it is also called by the Greek name Ορθόπετρα /Orthopetra which means the same). This refers to the grave stele of C. Vibius Quartus, a Roman officer from the Roman colony of Philippi who was buried in the cemetery which lies beside the Via Egnatia which passes the foot of the tell.

The tell is a major Neolithic and Bronze Age site (c 5000-1200 BC), known since the 19th century, and excavated by the French School at Athens and the Archaeological Society of Athens.

Among the notable discoveries are timber-framed buildings of the Late Neolithic period. One of these was decorated with a bull's skull plastered over with clay in the manner seen in the building model from the contemporary site of Promachonas on the Greek-Bulgarian frontier.
The site of Dikili Tash has been known to archaeologists since the years of the First World War.
Apart from the narratives of travelers and the first pilot research conducted by L. Renaudin in 1920-1922, three major excavation programs have been undertaken :
- excavations 1961 à 1975
- excavations 1986 à 1996
- current excavations launched in 2008.

GEOGRAPHICAL SETTING
The prehistoric site of Dikili Tash (41°00'37'' N, 24°18’30'' E) is located in the south-eastern part of the plain of Drama in Eastern Macedonia, Greece. It lies approximately 2 km from the ruins of the ancient city of Philippi and within the limits of the modern town of Krinides (Municipality of Kavala).

NATURAL ENVIRONMENT
Until recently, most of the plain was covered by a marsh hat was drained between 1931 and 1940. Its formation dates back to early Prehistory and can be explained by the topography of the plain, which is surrounded on all sides by medium and high mountain ranges (Pangaio, Menoikio, Falakro, Lekani, Symvolo, with altitudes going from 800 to 2000 m). At the foot of these mountains alluvial fans have formed that reach 200 m in height, but in the center of the basin the altitude is only 45 to 80 m above sea level. 
While the lower parts of the plain were covered by water, the edges offered many advantages for human settlement : land for cultivation, drinking water, thanks to the numerous springs whose existence is still attested by modern place names (Krinides = small springs, Kefalari = great spring, Vrissoules= little fountains), and access to a variety of environments (marshes, hills, mountains) rich in natural resources of all kinds.

Quite naturally, a series of Neolithic settlements arose along these edges, including Dikili Tash. Dikili Tash had an additional advantage, however: it lies on the only passage around the marsh from the east, which is necessary for communication by land between the northern and southern parts of the plain. The continuity of occupation seems to be directly related to this strategic location: the prehistoric populations were later followed by Greek colonists (Thasians founding the ancient town of Krinides in 360 BC, renamed by Philip II of Macedonia in 356), then by Romans (foundation of the colony of Philippi in 42 BC), Slavs, Ottomans, and finally by modern Greeks in 1923.

Chronology
- 6500 => Early Neolithic
Certified villages of farmers-breeders
First human occupation at Dikili Tash

- 5800 => Middle Neolithic
“Sesklo culture” in Thessaly
Evidence for continuous occupation of the mound

- 5400 =>Late Neolithic I
"Vinča culture” in the Balkans
First habitation layers in Sitagri
First excavated layers at Dikili Tash: houses, structures, artifacts  Bucranne

- 4800 => Late Neolithic IΙ (Chalcolithic)
Establishment of a cultural community through the Balkans
Maximum extension of the settlement    

- 4000 => Abandonment of the site

A GREAT PREHISTORIC SITE
The archaeological site of Dikili Tash is mainly a prehistoric settlement, dating to the Neolithic period (6400-4000 BC) and the Bronze Age (3000-1100 BC). Remains from Hellenistic and Roman times also exist, however, and a Byzantine tower crowns its top.


The 1986–1996 excavation programme con-centrated on two main sectors: sector V, next to one of the trenches made by Jean De-shayes on the south slope of the tell, and sector VI, including the main trench dug by Dimitrios Theocharis on the eastern slope. Excavated area covered 145 and 565 m2
respectively. Parallel to that, we excavated two small and deep trenches, I and II, hoping to get through the earlier habi-tation levels down to the virgin soil. Unfortu-nately, none of these happened: the earliest level reached in sector I still belongs to the Dikili Tash phase I, that is the beginning of the Late Neolith-ic, dated by thermoluminescence at 5500± 320 B.C. (ROQUE et al. 2002; V ARTANIAN et al. 2001), whereas the virgin soil remains to be found.

The phase I levels
Further phase I levels have been unearthed in the neighbouring sector V. Unfortunately, no complete house layout was preserved, but the fragmentary architectural remains sug-gest a North-West/South-East orientation of the rooms. Each room contained a domestic oven and usually a platform on which utensils in dai-ly use were kept. Walls, ovens and platforms, as well as bins for storing provisions, were made of raw clay.In the earliest level excavated in this sector, the oven was very well preserved, with part of the vault in situ. Behind it, a tripod cooking pot was standing near a biconical pot full of car- bonised barley grains.

14C-dating of the barley grains (4917–4808 cal. BC.)2 and TL-dating of the oven (4920±310 BC.) match together almost perfectly, placing the house’s destruction in the years around 5000 BC. In front of the oven, other ceramic vases and polished stone tools associated with food preparation were found crushed on the ground: vases included a large „plateau“, a cup and a carinated collared pot with painted decoration. Further West, more stone tools (axes, querns), vases (parts of three  jars), a stone bowl and a spondylus shell were laying on a sort of low platform.

Yet, the most impressive finds were laying on the floor in the southern part of the room, un-der a thick mass of debris: three ceramic vessels and a bucranium fallen over a fourth one, all in an remarkable state of preservation (Fig. 2). The three vessels, one bowl and two carinated collared pots, all decorated, still preserved their content: the bowl and one of the pots contained stone and bone tools and a shell bead, where-as physico-chemical analysis revealed that the  black residue found inside the other pot was not foodstuff, as originally thought, but powdered iron oxide, that is a colouring material ready for use (M ANIATIS et al. 2001; MANIATIS/T SIRTSONI 2002). 

As for the bucranium, it is a real bovine skull with its horns, covered and finished off with a coating of clay depicting the eyes, nos-trils and mouth (Fig. 3). The object had been obviously attached to an even surface, maybe a wall or roof, as shown by its flat posterior sur-face (TREUIL /D ARCQUE 1998).

The following level is represented by at least two habitation units; their East-West junction was unfortunately disturbed by later installa-tion.The westernmost of these units was clearly delimited on one side by the base of a wall. An architectural fragment, no longer in situ, had one worked face with fingerprints: this could be a fragment of the arch framing the entrance of the room, probably situated at the Southwest. In-side the room there was a platform and in front of it, broken on the ground, were two querns and a few complete or well preserved ceramic vases: a large jar, a bowl, a tripod cooking-pot and two decorated carinated collared pots. Although no oven was found, it is almost certain that there had been one beside the platform, in a place that was severely damaged by erosion (see discussion in TREUIL/T SIRTSONI 2000). 

The floor itself, pre-served over at least 10 m2 around the platform, was covered with a fine blackish coating consist-ing of carbonised chaff, probably a litter.The house in the eastern part showed a simi-lar ground plan: in the middle of the floor, pre-served over more than 15 m2, were the remains of a domestic oven and around it several frag-mented ceramic vessels, including cups, tripod cooking-pots, bowls, and also stone and bone tools, and ornaments. At the other edge of the room, or maybe outside it, we found two large clay bins containing carbonised grains. Those grains have been dated around 4800 BC.

The more recent of the phase I levels ap-peared very close to the surface in the western part of the sector. It featured a very large oven, with its floor measuring more than one metre in diameter and the first row of the coils form-ing the vault. In front of it there were fragments of a large „plateau“, like the one found in front of the oven of the „house with the bucranium“.

Concerning the relations of the inhabitants of Dikili Tash with neighbouring regions dur-ing the early stages of the Late Neolithic, a few things can be said.First, it is obvious that we have to do with a rather thriving, although not extra-ordinary settlement, which participates fully into the technological advances and ideological trends that are in vogue in this period: details in construction techniques and arrangements, ceram-ic and lithic assemblages, polished stone and shell working, or particular cultural features like the modelling and use of bucrania, all sug-gest contacts over a rather extended area, espe-cially towards the West and North, i.e. central and western Macedonia, and the middle Vard-ar and Strymon valleys. 

On the contrary, direct evidence of exchange or influence with re-gions to the South (like Thessaly and Southern Greece) or to the East and North-east (Thrace) are rather scarce: affinities with these regions do exist, of course, but they seem to be far more discrete and distant. A special mention should be made for the Strymon valley. 

The study of pottery has shown that, during most of the Late Neolithic, the val-ley and the adjacent plains (Serres, Drama) act like a real „corridor“, a North-South path of communication and diffusion of ideas, styles or uses. The diffusion of carinated collared pots illustrates perfectly this situation: al-though dark-on-light painted wares in general are found over a very large area, including most of Macedonia, but also Thessaly and Southern Greece from one side,this particular kind of elaborate one-handled painted vessels are found nowhere else outside the Strymon valley and the adjacent plains. 

Dikili Tash, with its nu-merous complete or almost complete specimens showing a wide variety of technique combina-tions, stands out as a major production centre of such vessels (TSIRTSONI 2000, 34–35, 53).

The phase II levels
Levels of the next Dikili Tash phase II, which is assigned to the end of the Late Neolithic period (or Eneolithic, following the Bul-garian terminology), have been excavated in  both sectors V and VI. Also, the remains of a massive stone structure exposed in the small sector II could belong to a sort of wall limiting the settlement on the South, probably in the same period.

The earliest occupational level was found very close to the surface in the eastern part of sector V, immediately above the remains of the next-to-last level of the phase I. No walls were preserved, but only two perpendicular lines of post-holes suggesting the corner of a building. In it, there was a group of severely broken, but almost complete vessels: two globular pots, a large bowl with outverted rim, and the lower part of a jar with mat-impressions on the base. 

The next level, found just below the surface in the centre of sector V, has been interpreted as an extensive rubbish area, in the south, associ-ated to a very disturbed habitation area, in the north. No architectural remains were found, but an astonishing quantity of objects of all kinds were more or less well preserved. We will men-tion, among others: an antler pick; a necklace of  beads made of both marble and shell, as shown  by analysis with the cathodoluminescence meth-od (BECHTEL /GOURDON-PLATEL 2000, 37–38); figurines; and more than one hundred vases or recognisable fragments, including a black-on red painted goblet with lateral sprout, an in-cised goblet, an incised stand, two large bowls with outverted rim and graphite decoration,  jars, globular pots, etc. 

According to pottery styles, this level should be dated to an already advanced stage of the phase II (Dikili Tash IIB or IIC, contemporary to Sitagri IIIB).The level excavated in the main sector VI  belongs to an even later stage (Dikili Tash IIC late, contemporary to the Sitagri IIIC phase), that has been dated both by thermolumines-cence and radiocarbon to the years between 4400–4200 BC. It appeared underneath an Early Bronze Age occupation level, dated by radiocarbon around 3000 BC. 

Four buildings (1–4) have been put into light: they are built in parallel rows, along a North-East/South-West axis, in a terraced disposition on the eastern slope of the tell. The destruction layer inside the buildings included large number of wattle and daub fragments, which had fallen from the walls and roofs. Areas of grey soil containing sherds and bones that were found between and around the buildings have been identified as outdoor spaces, such as patios or courtyards.

Only the southern half of building 1 has been partly excavated: it contained a lot of vessels and other objects, as well as many carbonised grains. Of special interest are large quantities of grape pips and skins that resemble closely to the remains of wine-pressing. The pips belong to the wild form of vine (Vitis vinifera subsp. syl-vestris), thus suggesting that early wine might have been prepared either from grapes collect-ed from wild vines or from vines that were in an early stage of domestication and had not devel-oped yet the phenotypic characteristics of the domestic subspecies. In any case, the charred remains from Dikili Tash, dated by radiocarbon at 4460–4000 BC., provide the earliest indica-tion for wine making in Europe (M ANGAFA  et al, 2002).Building 2 is situated on exactly the same level with building 1, from which it is separat-ed by a wide passage. 

The western limit of this  building is defined by a clear line of twinned postholes, whereas its total length has not been determined.Buildings 3 and 4, situated in the eastern part of the sector in a somehow lower level (ca 30 cm) than the previous two, are by far the best preserved. They provide a complete picture of households at the end of the Late Neolithic pe-riod (Fig. 5).Building 3 measures 9x5 m and has no trac-es of any internal walls. A hearth occupies the centre of the northern side, in direct contact with the wall.Building 4, with a total preserved length of 11 m and a width of 6 m, is divided by inter-nal walls in three almost equal spaces (A, B and C from North to South), each with its own en-trance, situated on the south-eastern long side. Each space has an oven, situated opposite to the entry and very near to the back wall, with its opening turned towards the entry. 

Spaces  A and B, which are better preserved (Fig. 6), also contain a rectangular sink-like construc-tion with individual partitions next to the oven, whereas space A included another hemispheri-cal earthen bench in contact with the southern wall. Each space contained also at least three or four big storage bins, made of raw clay temper-ed with vegetal material (straw) and decorated with simple grooves. 

The equivalent dimensions of the spaces, the resemblances in their internal structure and equipment, and the fact that they had separate entries with no communication  between them, leads to the conclusion that they accomodated three independent households. The relatively small dimensions of the spaces suggest that they were used by a limited number of individuals, very likely a nuclear family. A total of more than sixty ceramic vessels (Fig. 7) and lots of other objets of everyday use – querns, spindle-whorls, bone and stone tools – were found in these spaces. A utensil interpreted as a cooking-stand, with incised decoration, was found near the oven of space A. 

Some ornaments were also present, whereas figurines were very rare. Among vessels forms we mention: open bowls with thickened rim, deep bowls with buttons under the rim, askos-like vessels, one-handle cups, and others, that are most usually undecorated or decorated with simple graphite-painted or incised motifs.Evidence from the excavation of different Dikili Tash phase II levels allows to understand  better the relative position of the settlement,  both in the narrow Drama plain and in the gen-eral Balkan context during this period.

On a regional scale, Dikili Tash obviously remains a major settlement, as indicated by the persistence and density of occupation, the abundance of finds, the variety and quality of artefacts or the innovations in food-consuming procedures (wine-pressing).

On a larger scale, previous trends seem to persist, but there are now some changes in the orientation or the intensity of contacts with sur-rounding regions. Thus, the communication axis along the Struma valley in the North/West and across the central and western Macedonia in the West still functions strongly, as indicated  by the diffusion of some typical local ceramic wares, especially the black-on red painted pot-tery, which seem to prolongate both technically and stylistically, the dark-on-light pottery tradi-tions of the previous period (M ALAMIDOUet al., forthcoming).

 Contacts with Thessaly or South-ern Greece do not seem to know any further development. On the contrary, contacts with Thrace are now strongly reinforced: this is par-ticularly obvious in pottery, with the generali-sation of graphite-painted and incised wares, typical of the Karanovo V and VI phases in the Bulgarian plain. 

Yet, no marking evolution similar to that suggested for the Eneolithic set-tlements of Thrace, in crafts other than pottery (metallurgy, for instance) or in intra-site organ-isation and domestic equipment, is attested at Dikili Tash. The passage from one phase of the Late Neolithic (Dikili Tash I) to the other (Diki-li Tash II) is clearly characterised by continuity rather than by rupture of any kind.

THE TELL OF DIKILI TASH
The site itself is a tell. With an area of approximately 4,5 hectares and a height of 17 m, it is one of the largest tells in the Balkans. Its present shape, which is oval and asymmetrical, results from a combination of the accumulation of prehistoric and historic remains and erosion.

THE IDENTIFICATION OF THE SITE
The roman monument of Caius Vibius and the adjacent spring that mark this spot on the way to Kavala are mentioned by many travelers, beginning with Cyriacus of Ancona who passed through the region between 1426 and 1430. 
The first illustrated pottery sherds from Dikili Tash, published by F. WELCH, Annual of the British School at Athens 23 (1918-1919), p. 45, fig. 1.

The nearby mound was identified as a prehistoric site in the years 1917-1918 by C. W. Blegen and F. B. Welch, who collected fragments of pottery and other objects from its surface. 

THE MONUMENT OF CAIUS VIBIUS
This monument is a 4 m high monolith dating to the 1st century AD. Two of its four sides bear an inscription, which refers to the career of the Roman officer Caius Vibius Quartus. There is no proof, however, that his grave actually lies underneath. 

C(aius) Vibius C(aii) f(ilius)
Cor(nelia) Quartus
mil(es) leg(ionis) V Macedonic(ae)
decur(io) alae Scubulor(um)
praef(ectus) coh(ortis) III Cyreneic(ae)
trib(unus) leg(ionis) II Augustae
praef(ectus) [---] Caius Vibius Quartus, son of Caius,
from the Cornelian tribe, 
soldier of the fifth legion of Macedonia,
decurion of the wing of Scubules,
commander of the third regiment of Cyrenaica,
military tribune of the second legion of Augustus, commander...

According to L. Heuzey, “a superstition attaches to the white powder that is obtained by scratching the marble of Dikili Tash the ability to give milk in nursing mothers: it has been devoured by the knives of villagers …; over half of the inscription has been destroyed in this way” (L. Heuzey, H. Daumet, Mission archéologique de Macédoine [1876], p. 45).

THE ARCHAEOLOGICAL RESEARCH AT DIKILI TASH
THE FIRST TRIAL EXCAVATIONS: L. RENAUDIN (1920-1922)
The first investigations were conducted in 1920 by Louis Renaudin, then a member of the French School at Athens. He returned to the field in 1921 and 1922, identified several superimposed occupation layers in the centre of the tell, and collected many objects. Among these, the Neolithic anthropomorphic and zoomorphic figurines were given special attention. Two Roman « heroa » were also identified close to the spring, but these could be instead the foundations of a triumphal arch built at the eastern exit of the city of Philippi. His works are briefly mentioned in the Bulletin de Correspondance Hellénique.

THE FIRST RESEARCH PROGRAM (1961-1975)

From 1961 to 1975, Jean Deshayes et Dimitrios Theocharis conducted the first systematic excavations at Dikili Tash under the auspices of the French School at Athens and Archaeological Society at Athens. Their main objective was to determine the stratigraphic and chronological sequence of the Neolithic and Bronze Age in the region, which was poorly known until then. 

Excavations were carried out near the top and on the southern and eastern slopes of the tell. The Greek team, which was only at the site for two field seasons (1961 and 1967), opened two sectors on the eastern slope, c. 20 meters distant from each other, covering an area of 300m2. The French team made several smaller trenches covering 341m2 in total, grouped in three areas: one at the top and two on the southern slope (middle and lower part). They were present for six campaigns (1961, 1967, 1969, 1972, 1974 and 1975). 

None of the sectors reached the natural (virgin) soil and thus none offers a complete stratigraphic sequence, but the correlation of the sequences obtained in various sectors allowed the determination of the general stratigraphic sequence : four major occupation phases, labeled I to IV, represent respectively the beginning and the end of the Late Neolithic period (phases I-II), the Early Bronze Age (phases IIIA-B) and the Late Bronze Age (phase IV). Thanks to a long series of radiocarbon dates, one of the first in the region, it has been possible to determine the age and duration of each period, which cover altogether more than four thousand years (ca. 5400-1100 BC.). The top of the mound also yielded traces of later occupation. 

These results proved that the end of the Neolithic in Macedonia, and by extension in most of the Balkans, clearly preceded the beginning of the Aegean Early Bronze Age as it was known from the first settlement at Troy. In addition, they showed that there exists an even earlier stage, equivalent to the Dikili Tash phase ΙΙΙΑ, which represents the actual start of the Bronze Age. This sequence was later confirmed by the excavations at Sitagri (northwestern part of the Drama plain) and Ezero (Bulgaria). 

Apart from their historical contribution, the excavations of Theocharis and Deshayes revealed the site’s outstanding wealth and the high quality of the various artifact categories, especially during the Neolithic period (pottery, figurines, jewelry, etc). Many houses that were destroyed by fire still preserve part of their architectural elements in place (e.g., walls and thermal structures).

THE SECOND RESEARCH PROGRAM (1986-1996)

From 1986 until 1996 a second Greek-French research program was conducted under the auspices of the Archaeological Society and the French School at Athens and the direction of Chaido Koukouli-Chryssanthaki and René Treuil. This research was further supported financially by the French Ministry of Foreign Affairs and the Greek Ministry of Culture (18th Ephorate of Prehistoric and Classical Antiquities of Kavala), the French National Centre of Scientific Research (CNRS) and the University of Sorbonne-Paris I.

Since the stratigraphic sequence was already generally known, the main objective of the new research was to reveal the habitation layers as extensively as possible in order to study the building techniques, the spatial organization of the successive settlements, and the way of life of the inhabitants in general. 

Alongside that effort, an attempt was made to investigate the earlier occupation layers down to the natural soil and to reconstruct the site’s environment at the time of the first human settlement. 

The Greek team continued research on the eastern side of the mound: a new sector (VI), measuring 565m2, was opened around one of the older sectors of Theocharis where excavation had brought to light well-preserved ruins from the Late Neolithic II and the Early Bronze Age. The French team settled on the south slope of the mound, with a new sector (V, 145m2) next to Deshayes’ sector B1, which had yielded several successive layers of the Late Neolithic I period. Excavations in sectors V and VI revealed, for the first time in the region, a substantial number of Late Neolithic house units.

The two teams also undertook further excavation in a small part of sector Β2 (a deep trench in the West of square AA 28), now defined as sector Ι. Its bottom represented the deepest point reached so far by excavation (57,25 m above sea level) and thus could serve as a starting point for the exploration of earlier layers. However, the excavation did not go beyond 56,80 m, due to the narrowness of the trench, and the only layer that was excavated also dates to the Late Neolithic I.

Finally, a new stratigraphic trench was opened (sector ΙΙ, 14m2) at the southern foot of the tell, but no earlier layers were recovered. This seems reasonable today, especially in light of the results of the geomorphologic research. This research established that the deposits at the periphery of the mound were formed by the erosion of its upper layers; therefore, the dimensions of the initial settlement were smaller than the present mound’s surface. The excavation revealed a strong stone structure in the centre and south of the trench, which might correspond to one edge of the settlement.

A series of geomorphological research was conducted between 1986 and 1994. This program included two small trenches created using heavy machinery on the periphery of the mound (sectors III and IV) and several core-samples in and around the mound. Both provided valuable information about the nature of the geological substrate and the evolution of the landscape.

After eight field seasons (1986, 1987, 1989, 1991, 1993, 1994, 1995, 1996), excavation stopped in order to facilitate the preparation of the publication.

In many cases, the studies conducted at Dikili Tash served as the basis for or were integrated into broader research projects of multidisciplinary or international character: for example, the program regarding the storage and cooking facilities in the Neolithic and Bronze Age in Northern Greece (a Greek-French cooperation program “Plato”, between the laboratory UMR 7041 of Nanterre and the University of Thessaloniki, 2002-2003); the program about the black-on-red painted Neolithic pottery (CNRS-French School at Athens, 2000-2004); and the research into clay and fire in the prehistoric Aegean (ACI Prosodie of the French Ministry of Research, 2004-2007). Finally, the project has invested in the study of various materials and techniques using the experimental approach.

THE THIRD RESEARCH PROGRAM (2008-2011

In 2008 a new Greek-French research program was initiated at Dikili Tash, carried out, like the previous two, under the auspices of the the Archaeological Society and the French School at Athens and the direction of Pascal Darcque, Chaido Koukouli-Chryssanthaki, Dimitra Malamidou and Zoï Tsirtsoni. It is supported on an annual basis by the French Ministry of Foreign and European Affairs and the Institute of Aegean Prehistory (INSTAP). It has received additional funding from the National Geographic Society (the investigation on Neolithic wine conducted by Tania Valamoti) and the French National Research Agency (ANR program “Balkans 4000”, coordinated by Zoï Tsirtsoni). The French National Centre of Scientific Research (CNRS), the 18th Ephorate of Prehistoric and Classical Antiquities of Kavala, and the Municipality of Philippi (until 2010) also support this work.

The overall aim of the new program is to reconstruct the entire history of the site by investigating the spatial and temporal continuities and discontinuities from the first human occupation to modern times. 

Four excavation campaigns have been completed already (2008, 2010, 2012 and 2013) Investigations were carried in three sectors (2, 6 and 7) and we also took a series of new core-samples in the mound. 

The new core-samples allowed us to establish more accurately the character of the pleistocene and holocene. The C14 dates made on selected charcoal samples from the lowest parts of the cores place the date of the first human settlement in the second half of the 7th millennium BC.

In sector 2, we are at the southern limit of the Late Neolithic II settlement. Its remains were covered by successive layers of colluvia, two of which contain substantial quantities of stones. These stones probably come from structures whose collapse dates to the end of the Neolithic period and the beginning of the Bronze Age.

n the western part of sector 6, the remains of the Early Bronze Age (3300-3000 BC.), mainly storage pits, are dug directly in the destruction layer of the Late Neolithic II (4300-4200 BC.). The excavation of House 1 has not yet been completed, but has already revealed an assemblage of great wealth: architectural fragments, numerous artifacts, and large quantities of botanical remains, including grape seeds.

Finally, in sector 7, the excavation showed the chronological and historical depth of the Late Bronze Age settlement and brought to light the first material evidence of contact with the Mycenaean world. This research has also confirmed the close relations of Dikili Tash with the neighboring city of Philippi, since its foundation in the 4th century BC until its historical ending after the collapse of the Byzantine Empire.

MICROMORPHOLOGICAL ANALYSES
A series of analyses of architectural fragments that were conducted at the Geophen Laboratory in Caen, confirmed what had already been suggested by macroscopic observation and experiments : specific strategies existed for the sampling, mixing, and use of building clay. These strategies concerned the choice of clay, the preparation of the mixture by means of purification or addition of non-plastic materials, and the shaping and arrangement of the different construction elements. It became clear that the operational sequence was not only complex but also relatively standardised, especially for combustion structures, as early as the Late Neolithic period. 

ORGANIC RESIDUE ANALYSIS
Organic residues may either be preserved as a crust on a ceramic surface or through impregnation of porous vessel walls. They are usually amorphous. Residues preserve in very small quantities and are often highly degraded, identifiable only in how they correspond to complex molecular compositions. A range of physicochemical analytical techniques are used for their characterization, such as Fourier Transform Infrared Spectroscopy and Gas Chromatography combined with Mass Spectrometry. Taking into account the properties of the identified materials (e.g., subcutaneous animal fat, dairy products, vegetal oils, wax, or adhesives), one can create inferences regarding the use of vessels..

ARCHAEOBOTANICAL INVESTIGATIONS
Excavation of the prehistoric levels has unearthed a considerable quantity of charred plant remains, including wood charcoal used as building material or fuel, and grains and fruits brought to the site for food or for other purposes (e.g. medicines, fuel, building, or weaving material). More or less systematic collection of plant remains has been on-going since 1989, and today intensive total sampling is employed in certain parts of the excavation, as is the case of House 1. Charcoal and other plant macroremains provide a precious source of information on the past environment surrounding the site, agricultural practices, diet, and building practices (as when plants were added to the building clay). At the same time, these remains provide excellent samples for radiocarbon dating : at present, more than forty dates have been obtained from such remains just in the Neolithic. Some of these dates, obtained from grains found in situ inside the houses, reach a precision of ± 20 years, dating the destruction of the houses to within a few decades.
The anthracological study shows a rich variety within the forest canopy near the site and reveals, among other things, an intensive use of fruit trees (e.g. apples, pears, plums, and figs) by the site’s inhabitants already during the Neolithic. The archaeobotanical study confirms that most of these trees were exploited for their fruits, which could have been consumed on their own or included as meal ingredients. The primary plant foods during the Neolithic and the Bronze Age were cereals and legumes, as is the case throughout the Aegean during these periods. Different wheat species, barley, lentils, peas, and bitter vetch are the main crops attested at Dikili Tash. 

They are often found as pure concentrations, unmixed with other species stored in vases or bins located inside the houses or in the yard outside. Other plant species also appear in the Neolithic period, two of which go on to an illustrious future : flax and grape vine.

THE FIELD TEAMS

1961
Greek team : Dimitrios Théocharis, Maria Théochari, Katérina Rhomiopoulou
Archaeologists-Students :Haïdo Koukouli, Kalliopi Nikolaïdou
Student in architecture : Despina Aïvazoglou
Technicians : Anastasios Aggelidis, Démétrios Doukas, Nikolaos Tricaliotis, Pavlos Tzitzifakis, Nikolaos Xatzoulas 

French team : Jean Deshayes
Archaeologists : Philippe Bruneau, Fernande Ducat, Jean Ducat, Milutin Garasanin, Vladimir Popovic, Claude Vatin 
Student in architecture : Eleutherios Emmanouilidis 
View of sector A2 during excavation (1961), towards the West.

1967
Greek team : Dimitrios Théocharis, Maria Théochari, Katérina Rhomiopoulou
Archaeologists : Haïdo Koukouli, Athanasios Tzaphalias
Technician : Markos Nikolarakis

French team : Jean Deshayes
Archaeologists : Jean-Pierre Michaud, Jean-Pierre Olivier, Michel Séfériadès, René Treuil
Architect : Jean Blécon
Technician : R. Moulet 
Conservator : G. Faure

1969
French team : Jean Deshayes
Archaeologists : Serge Cleuziou, Jean-Paul Demoule, L. Demoule, Martine Fourmont, Cl. Herrenschmidt, Cl. Malécot, C. Marmoz, Michel Séfériadès, René Treuil, E. Vergnolle
Architect : Jean Blécon
Illustrator : Marie-Christine Poussineau
Conservators : G. Faure, S. Maras

Part of the 1969 team: from left to right L. Demoule, S. Cleuziou, J.-P. Demoule, C. Marmoz, J. Deshayes.

1972
French team : Jean Deshayes
Archaeologists : Rémy Boucharlat, Sylvestre Dupré, Michel Séfériadès, René Treuil
Pottery specialist : Liliane Courtois
Architect : Jean Blécon
Illustrator  : Vélissarios Anagnostopoulos
Conservator : G. Faure

1974
French team : Jean Deshayes
Archaeologists : Yves Calvet, Michel Séfériadès, Gilles Touchais
Architect : Jean Blécon
Illustrators : J. Chevalier, Vélissarios Anagnostopoulos

1975
French team : Jean Deshayes
Archaeologists : Sylvestre Dupré, Anna Philippa, Gilles Touchais
Illustrator  : Vélissarios Anagnostopoulos

1986
Haïdo Koukouli-Chryssanthaki, René Treuil
Field supervisors : Alexandra Christopoulou, Pascal Darcque
Archaeologists and students : Jean-Paul Demoule, Alexandre Farnoux, Irini Gavrilaki, Marie-Hélène Georgiadou, L. Houdaverdoglou, Katérina Rhomiopoulou. Katérina Péristéri, Josette Renard, Angeliki Koukouvou, Dimitra Malamidou, Christina Marangou, Sylvie Müller, Stratis Papadopoulos, T. Papanikolaou
Geomorphologist : Lucien Faugères
Topographe : Etienne Richard
Illustrator  : Vélissarios Anagnostopoulos

Part of the 1986 team: from left to right V. Anagnostopoulos, M.-H. Georgiadou, O. Picard (director of the French School), I. Gavrilaki, E. Richard, P. Darcque, R. Treuil, K. Romiopoulou.

1987
Haïdo Koukouli-Chryssanthaki, René Treuil
Field supervisors : Alexandra Christopoulou, Pascal Darcque
Archaeologists and students : Alexandre Farnoux, Marie-Hélène Georgiadou, Eléni Gérondakou, Vaïa Ikonomidou, Liliane Karali-Yannacopoulos, Angéliki Koukouvou, Georgia Kourtessi-Philippaki, Dimitra Malamidou, Christina Marangou, Katérina Péristéri, Stratis Papadopoulos, Olga Polychronopoulou, Josette Renard, Iphigénia Tournavitou
Geomorphologist : Lucien Faugères
Topographers : Etienne Richard, Jean-Philippe Guyon
Illustrator  : Vélissarios Anagnostopoulos
Photographer : Philippe Collet

Part of the 1987 team: from left to right P. Darcque, D. Malamidou, A. Koukouvou, R. Treuil.

1989
Greek team : Haïdo Koukouli-Chryssanthaki
Field supervisors : Aggeliki Koukouvou, Dimitra Malamidou 
Archaeologists and students : Natassa Baltatzi, Efi Doulgeri, Heleni Gerondakou, Anastasia Michailidou
Illustrator  : Kyriaki Papadopoulou
Technicians : Georgios Anderadis, Vasilis Elbasidis, Michalis Papadopoulos

French team :René Treuil, Pascal Darcque
Archaeologists and students : Jean-François Croz , Cécile Froment , Alexandra Kalogirou, Christina Marangou, Olga Polychronopoulou, Georgia Poursoulis , Gilles Touchais, Laurence Rebillard , Zoï Tsirtsoni, Eleuthéria Vlachou,
Archaeobotanist : Isabelle Erard-Cerceau
Geographer : Lucien Faugères
Conservators : Dimitrios Karolidis, Aristophanis Konstantatos, Polytimi Loukopoulou
Illustrator  : Vélissarios Anagnostopoulos

Part of the 1989 team: from left to right, first row, P. Loukopoulou, R. Treuil, G. Touchais ; 2nd row, A. Konstantatos, Z. Tsirtsoni, J.-Fr. Croz, G. Poursoulis, L. Rebillard, E. Vlachou, M.-Fr. Treuil, C. Froment, O. Polychronopoulou, V. Anagnostopoulos, J.-P. Demoule, P. Darcque.

1991
French team : René Treuil, Pascal Darcque, Josette Renard, Gilles Touchais 
Archaeologists and students :Catherine Besson, Laure Boulineau, Christophe Fernandez, Cécile Froment, Frédéric Herbaut, Désirée Neisius, Laurent Pesqueur, Olga Polychronopoulou, Sophie Pornet, Sandra Prévost, Mathilde Renard, Zoï Tsirtsoni
Archaeobotanist : George Willcox
Archaezoologist : Daniel Helmer
Conservators : Aristophanis Konstandatos, Polytimi Loukopoulou
Illustrator  : Vélissarios Anagnostopoulos

1993
Greek team : Haïdo Koukouli-Chryssanthaki
Field supervisor : Dimitra Malamidou
Archaeologists and students : Κonstantia Amoiridou, Anastasia Ioannidou, Alexandra Pyrsou, Αnne Sandars, Paraskevi Yiouni
Illustrator : Kyriaki Papadopoulou 
Conservator : Panagiotis Tzanetakis 
Technicians : Vasilis Elbasidis, Michalis Papadopoulos 

French team : René Treuil, Pascal Darcque, Gilles Touchais 
Archaeologists and students : Laure Boulineau, Alain Dandrau, Véronique Frgacic, Cécile Froment, Ioulia Gavriilidou, Nathalie Godfroi, Frédéric Herbaut, Petrika Lera , Sylvia Martinez, Désirée Neisius, Eléni Nodarou, Lissina Prendi, Sandra Prévost, Zoï Tsirtsoni, Panayotis Vouzas
Geomorphologist : Rémi Dalongeville
Archaeobotanist : George Willcox
Palynologist : Claudine Schutz
Sociobotanist : Frédéric Bendali
Conservators : Aristophanis Konstandatos, Polytimi Loukopoulou
Illustrator  : Vélissarios Anagnostopoulos

Excavation of Sector V in 1993.

1994
Greek team : Haïdo Koukouli-Chryssanthaki
Field supervisor : Dimitra Malamidou
Archaeologists and students : Konstantia Amoiridou, Lucy Douglas de Finzi, Eliza Kavaraki, David Leigh, Kelen Mattews, Alexandra Pyrsou, Anne Sandars, Maria Stabouloglou, Sevi Triantaphyllou, 
Archaeobotanists : Soutana Valamoti, Maria Magafa, Maria Gianelou 
Architect : Nikos Lianos 
Illustrators : Anastasia Karakatsani, Anna Konstantara, Kyriaki Papadopoulou, 
Conservator : Panagiotis Tzanetakis 
Technicians : Vasilis Elbasidis, Michalis Papadopoulos

1995
Greek team : Haïdo Koukouli-Chryssanthaki
Field supervisor : Dimitra Malamidou
Archaeologists and students : Konstantia Amoiridou, Maria Gianelou, Eudocia Phaneromenou
Architect : Charalambos Romanidis
Illustrator : Kyriaki Papadopoulou
Conservator : Panagiotis Tzanetakis 
Technicians : Vasilis Elbasidis, Heleni Tzenetaki

French team : René Treuil, Pascal Darcque, Nathalie Godfroi
Archaeologists and students : Laure Boulineau, Alain Dandrau, Cécile Froment, Ioulia Gavriilidou, Sylvia Martinez , Désirée Neisius , Sandra Prévost , E. Stamatatou, Zoï Tsirtsoni
Archaezoologist : D. Helmer
Archaeobotanist : George Willcox
Conservators : Aristophanis Konstandatos, Vanessa Papageorgiou
Illustrator  : Vélissarios Anagnostopoulos

1996
Greek team : Haïdo Koukouli-Chryssanthaki
Field supervisor : Dimitra Malamidou
Archaeologists : Konstantia Amoiridou, Αrchontoula Mavridou, Ν. Τzeli
Students : Bllanca Fayas, Μaria Kaiafa, Maria Paipeti, Μaria Psarou 
Architect : Charalampos Romanidis 
Illustrator : Αnna Kostandara 
Conservators : Panagiotis Tzanetakis, Dimitris Siabanopoulos

2008
Pascal Darcque,Haïdo Koukouli-Chryssanthaki, Dimitra Malamidou, Zoï Tsirtsoni
Trench supervisors : Cécile Oberweiler, Sandra Prévost-Dermarkar, Tatiana Théodoropoulou
Archaeobotanist : Tania Valamoti
Topographers : Frédéric Bernard (INRAP), Lionel Fadin (EFA), Vincent Dargery (stagiaire)
Coordinator of graphic production : Frédéric Bourguignon (NOVA CELLA agency)
Illustrators : Samuel Monnet, Charalambos Romanidis
Geomorphologist : Cécile Germain-Vallée
Conservators : Panayotis Tzanetakis, Sophie-Jeanne Vidal
Site manager: Michalis Karavélidis
Photographers : Christophe Gaston, Maia Pomadère
Archaeologists and students : Marion Bernard, Céline Choquenet, Eutychia Daskalopoulou, Nicolas Doutau, Maud Goldscheider, Stathis Iliadis, Angeliki Karathanou, Georgia Katsiti, Maria-Niki Koutsoukou, Maria-Sophia Marinaki, Frédéric Mercier, Maria Palaiologou, Anna Panagiotou, Thomas Raptis, Tania Siopi, Nathalie Thomas, Fani Toti, Anna-Wilma Xylaki
Workmen : Kyriazis Archontoglou, Tafil Bicaco (« Spyros »), Vassilis Giannakidis, Kostas Karavasiliadis, Iannis Koumridis, Stéphan Larakou, Georgios Patsatzis et Savvas Raptis.

The 2008 team..

2010
Pascal Darcque,Haïdo Koukouli-Chryssanthaki, Dimitra Malamidou, Zoï Tsirtsoni
Trench supervisors : Nicolas Doutau, Michalis Lychounas, Maria Palaiologou, Sandra Prévost-Dermarkar, Tania Siopi
Archaeobotanist : Tania Valamoti
Topographers : Lionel Fadin (EFA), Simon Budin et Alexandre Masalski (stagiaires)
Coordinator of graphic production : Frédéric Bourguignon (NOVA CELLA agency)
Illustrator  : Samuel Monnet
Conservator : Marion Bernard
Geomorphologists : Cécile Germain-Vallée, Laurent Lespez, Robert Davidson
Site manager : Michalis Karavélidis
Archaeologists and students : Evgenia Achimastou, Elefthéria Almasidou, Magali Benet, , Anaïs Boucher, Céline Choquenet, Christina Evangelidou, Argyris Fassoulas, Angeliki Karathanou, Ria Kiorpé, Martha Kokkidou, Tobias Krapf, Ange Lotode, Hariklia Mourtarakou, Chrysa Pétridou, Eléni Télioridou, Efthimia Tsiolaki, Evangelia Vliora, César Watroba, Stavros Zachariadis
Workmen : Kyriazis Archontoglou, Christos Arnaoutoglou, Tafil Bicaco (« Spyros »), Vassilis Karavasiliadis, Stéphan Larakou, Jordanis Mengidis
Web site : Julien Mahoudeau (ALTEARCH-MEDIATION agency)

The 2010 field team.

2012
Pascal Darcque,Haïdo Koukouli-Chryssanthaki, Dimitra Malamidou, Zoï Tsirtsoni
Trench supervisors : Céline Choquenet, Sandra Prévost-Dermarkar
Archaeobotanist : Tania Valamoti
Topographers : Lionel Fadin, Soufiane Laqbayli, Kévin Guadagnini
Coordinator of graphic production : Frédéric Bourguignon (NOVA CELLA agency)
Illustrator  : Rozenn Douaud, Samuel Monnet, Pauline Ramis
Conservator : Marion Bernard, Eleni Nikolouzou
Geomorphologists : Laurent Lespez, Robert Davidson
Site manager : Michalis Karavélidis
Archaeologists and students : Eleftheria Almasidou, Nektaria Bolou, Anaïs Boucher, Zoé Cahier-Proust, Aurélien Creuzieux, Christina Evangelidou, Sylvain Grosfilley, Katerina Karatasaki, Martha Kokkidou, Dialegmenos Mengidis, Eudoxia Mintzaridou, Bérengère Pérello, Chrysi Petridou, Zina Stratiadou, Eleni Télioridou, César Watroba
Workmen : Kyriazis Archontoglou, Vassilis Karavelidis, Stéphan Larakou, Archontia Mylonidou, Johny Topalli
Web site : Julien Mahoudeau (ALTEARCH-MEDIATION agency)

L’équipe Dikili Tash 2010.

2013
Pascal Darcque,Haïdo Koukouli-Chryssanthaki, Dimitra Malamidou, Zoï Tsirtsoni
Trench supervisors : Sandra Prévost-Dermarkar
Archaeobotanist : Tania Valamoti
Topographers : Lionel Fadin, Vincent Depond, Olivier Gannat
Coordinator of graphic production : Frédéric Bourguignon (NOVA CELLA agency)
Illustrator  : Rozenn Douaud, Samuel Monnet
Conservator : Marion Bernard, Olga Simitsi, Georgia Velivasaki
Geomorphologists : Laurent Lespez, Robert Davidson, Arthur Glais
Micromorphologist : Cécile Germain-Vallée 
Material scientist, expert in XRF analysis : Sariel Shalev 
Chemist, expert in organic residue analysis : Nicolas Garnier 
Site manager : Michalis Karavélidis
Archaeologists and students : Anaïs Boucher, Céline Choquenet, Argyris Fassoulas, Sylvain Grosfilley, Katerina Karatasaki, Martha Kokkidou, Menia Papadopoulou, Clémence Pagnoux, Bérengère Pérello, Chrysi Petridou, Eleni Télioridou
Workmen : Kyriazis Archontoglou, Vassilis Karavelidis, Stephan Larakou, Archonti Mylonidou

17.12.16

Derveni, Thessaloniki

Derveni( Necropolis at Derveni)


Archaeological site, Cultural heritage THESSALONIKI , MAKEDONIA CENTRAL , GREECE
Derveni, 54500 THESSALONIKI , MAKEDONIA CENTRAL , GREECE

Derveni (Greek: Δερβένι) is a location between Efkarpia and Lagyna, approximately ten kilometers north-east of Thessaloniki. At Derveni an archeological site is located where a necropolis was discovered, part of a cemetery of the ancient city of Lete. Valuable artifacts were uncovered at this site, including the Derveni papyrus and Derveni krater.
A necropole of Ancient Lete. Six tombs, pit graves, cist tombs, and one built of Macedonian type were discovered by chance in 1962 in the region around Derveni, 10 klm. NW of Thessaloniki. 
Some of them were unlooted. They contained male and female cremations and burials with rich offerings, dated to the last quarter of the 4th century BC. 
The offerings were luxurious metal, clay and glass vases, gold jewellery, iron weapons and bronze strigilis. Tomb A and B are the most important ones, recent archaeological research at the same hill, brought to light some other significant tombs. 


Tomb A: cist tomb. It contained a bronze crater with the ashes of the dead, gold wreath, several bronze vases, iron srearheads. A papyrous with an orphic text was found burnt in the thick layer of ashes which was brought here from the cremation pyre and covered the slabs of the tomb.

Τomb B: the most significant in size and rich in offerings cist tomb was constructed in order to accept the ashes of a man and a young woman. For this, a bronze crater with dionysian scenes, unique in the history of art, was used. In the cist tomb twenty silver vases have also been found together with many bronze and alabaster vases, pottery, iron weapons and fragments of a leather corselet. Other finds include a pair of bronze greaves and a gold triobol of Philip II.













Πηγή/Φωτογραφία/Βιβλιογραφία
http://www.ancientencyclopedia.ga/
http://www.gtp.gr/
http://culture.gr/
https://el.wikipedia.org/

11.5.16

Delos


It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the waters of the Aegean Sea, just a few miles away from cosmopolitan Mykonos. It’s a chance to walk around the revival of the glory of the Greek civilization. It’s the head priest of the Cyclades, the birthplace of the immortals. It’s Delos.
In the ancient times, the myth of god Apollo, god of light, and goddess Artemis having been born there rendered the island sacred: no mortal would ever be allowed to be born on its land. But, a cradle of gods as the island has been, no mortals would ever be allowed to die on it either. So, apart from it being a conspicuous religious and economic centre, the island had also been exclusive in that: even during the years of peak of the Delian Alliance, women on the brink of childbirth and people close to dying would be carried to the neighbouring island of Rineia. The whole of the known world of that age was aware of the sacredness of the island and of its uniqueness.
Mosaic from the Insula of the Jewellery
According to Greek mythology, Apollo was born on this tiny island in the Cyclades archipelago. Apollo's sanctuary attracted pilgrims from all over Greece and Delos was a prosperous trading port. The island bears traces of the succeeding civilizations in the Aegean world, from the 3rd millennium B.C. to the palaeochristian era. The archaeological site is exceptionally extensive and rich and conveys the image of a great cosmopolitan Mediterranean port.

Η Οικία του Διονύσου, τέλη 2ου αι. π.Χ., Δήλος

Column with phallus at the Stoivadeion


History

Delos, Theatre Quarter, House III.N. Detail of the mosaic floor depicting a dolphin and an anchor. 2nd cent. BC. 

It is estimated that, circa 90 B.C., about 30,000 people lived on this small island, which is no more than a dot on the map of the Mediterranean. The names inscribed on the tombstones in the ancient cemetery provide us with evidence that during the 2nd c. B.C., apart from the island’s majority of Athenian and Roman residents, Delos was populated by folk from most Mediterranean cities: from the Peloponnese and Italy, from mainland regions, Central, Western Greece and Macedonia, Thrace, the Black Sea and Asia Minor, from the Aegean Islands, Cyprus, Crete, and faraway places including Troas, Mysia, Aiolis, Ionia, Lydia, Caria, Lycia, Bithynia, Paflagonia, Pontus, Cappadocia, Pisidia, Pamphilia, Cilicia, Syria, Media, Phoenicia, Palestine, Libya, Arabia and Egypt. 

At this time, all these people, in spite of their varied nationalities and different historical and cultural backgrounds, managed to forge a peaceable society. They communicated with each other in spoken and written Greek, the inter-national language of the period, adopted the Greek lifestyle, lived in Greek-style houses and built Greek temples, where they freely worshiped the gods of their homelands. The islanders worked companionably and enjoyed community life, while their children played together, studied at same Gymnasium, and trained in the same Palaestrae. 

Greeks, the antithesis of the zealous followers of monotheistic religions, were always willing to accept that their neighbour's god was indeed a god, often one of their own gods with a different name. Apollo, although a little hesitant at first, soon did not object sharing his island birthplace with Sarapis, Isis, Harpocrates and Anubis, or the God of Israel, the Gods of the Arabs, Atargatis and Adad, the Gods of the Phoenicians and the Roman Gods. So, perhaps for the first time in human history, in this small corner of the earth almost all the Mediterranean peoples co-existed in harmony. 

The ships, arriving continuously at the harbours of Delos, carried not only merchandise but also people, news and ideas from almost every Mediterranean city. The whole world seemed like a small neighbourhood ringing the sea that brought them together and brings us together. The Mediterranean Sea, where the mystic East and the active, progressive, West encounter the Greece of reason, balance and harmony, the place where reason and sentiment coexist harmonically and an exuberant love of life is balanced with a tempered submission to destiny. 

a brief history of Delos 
Delos must always raise some astonishment when one compares its size to its history. Although a small, rocky island, no more than 5 Km long and 1.300 m. wide, for ancient Greeks it was the most sacred place, because Apollo and Artemis, two of the most important deities of the Greek pantheon, were born there. It is situated in the heart of the Aegean, in the centre of the Cyclades that form a dance circle around it; “hearth of the islands” Callimachus (3rd cent. BC) calls it, i.e. shrine and centre of the islands. 

The earlier inhabitants of Delos build (ca 2.500 BC) their simple dwellings on the top of the low hill Kynthos, where from they could easily inspect the sea around the island for coming enemies. The Mycenaeans, who came later on (end of 15th cent. BC), felt confident enough to settle in the small valley by the sea. 

The Apollonian sanctuary, established at least since the 9th cent. BC, reached the peak of its glory during the archaic (7th-6th cent. BC) and classical (5th-4th cent. BC) period, when Hellenes from all over the Greek world gathered there to worship Apollo, the god of light, harmony and balance, and Artemis, the moon-goddess, his twin sister. 

By the end of the 5th cent. BC there were already some houses and farms around the sanctuary. The town seen today developed rapidly after 167 BC, when, as a result of the declaration of Delos as a free port, all the commercial activity of the eastern Mediterranean was congregated on the isle. Rich merchants, bankers, and ship-owners from all over the world settled there, attracting many builders, artists and craftsmen who build for them luxurious houses, richly decorated with statues, frescoes and mosaic floors. The small island became soon the maximum emporium totius orbis terrarum - the greatest commercial centre of the world. 

It is estimated that at the beginning of the 1st century BC, some 30.000 people were living on this little island that is no more than a dot on the map of the Mediterranean, and that it is likely that 750,000 tons of merchandise could be moved through its ports in a year. 

The prosperity of the island and the friendly relations with the Romans were the main cause of its destruction. Delos was attacked and looted twice: in 88 BC by Mithridates, the King of Pontus, an enemy of the Romans, and later, in 69 BC, by the pirates of Athenodorus, an ally of Mithridates. Since then the island was gradually abandoned and fell rapidly into decline. 

The excavations, that started in 1872 and are still in progress, have unearthed the Sanctuary and a good part of the cosmopolitan Hellenistic town.


Description
The island of Delos (/ˈdiːlɒs/; Greek: Δήλος [ˈðilos]; Attic: Δῆλος, Doric: Δᾶλος), near Mykonos, near the centre of the Cyclades archipelago, is one of the most important mythological, historical and archaeological sites in Greece. The excavations in the island are among the most extensive in the Mediterranean; ongoing work takes place under the direction of the French School at Athens and many of the artifacts found are on display at the Archaeological Museum of Delos and the National Archaeological Museum of Athens.

Delos had a position as a holy sanctuary for a millennium before Olympian Greek mythology made it the birthplace of Apollo and Artemis. From its Sacred Harbour, the horizon shows the two conical mounds (image below) that have identified landscapes sacred to a goddess in other sites: one, retaining its pre-Greek name Mount Kynthos, is crowned with a sanctuary of Zeus.

Established as a culture center, Delos had an importance that its natural resources could never have offered. In this vein Leto, searching for a birthing-place for Artemis and Apollo, addressed the island:

Delos, if you would be willing to be the abode of my son Phoebus Apollo and make him a rich temple –; for no other will touch you, as you will find: and I think you will never be rich in oxen and sheep, nor bear vintage nor yet produce plants abundantly. But if you have the temple of far-shooting Apollo, all men will bring you hecatombs and gather here, and incessant savour of rich sacrifice will always arise, and you will feed those who dwell in you from the hand of strangers; for truly your own soil is not rich.

— Homeric Hymn to Delian Apollo 51–60

Site Monuments


The modern visitor lands on a small artificial peninsula, between the Sacred Harbor  (lost today under the debris of the French excavations during the beginning of the 20th century) and the commercial ports .

 Passing through the Agora of the Competaliasts , a marketplace of the ancient town with two small temples dedicated to Hermes, the god of commerce, and turning left, on the Sacred Way formed between two porticos , we reach the Propylaia the main gate to the Sanctuary. Immediately to the right, after the Porpylaia, are the Oikos of The Naxians  and the huge marble base of a colossal statue of Apollo, dedicated by the Naxians ca 600 BC. Parts of this statue can be seen in the Sanctuary of Artemis. 
Further north are the three temples of Apollo , facing Keraton , the most ancient and venerated altar built by Apollo himself.


The five Oikoi, or Treasuries , were used for the safekeeping of precious offerings of cities. The north boundary of the Sanctuary is a portico dedicated ca 250 BC by Antigonos Gonatas, a king of Macedonia. Within the Sanctuary are also the administrative buildings of the city: the Bouleuterion, the Prytaneion
Prytaneion
and the Ekklesiasterion (38) buildings used for the assemblies of the deputies, the dignitaries and the citizens. The Monument with the Bulls, is a long building on the east part of the Sanctuary, where a warship, dedicated by the king Demetrius Poliorketes by the end of 4th century BC, was housed. 

The north exit from the Sanctuary is between and Grapheand Ekklesiasterion. In Dodekatheon, a temple of the 3rd cent. BC, were found important archaic statues of the twelve gods that can be seen in the Museum  Further north is the Granite Monument and directly opposite it is the Letoon, a temple of the 6th century BC dedicated to the mother of the twin gods. Behind the Letoon is the largest building of Delos, the Agora of the Italians a market and meeting place for all the island’s Italian businessmen build ca 100 BC. 
Agora of the Italians

Along the road, to the right is the Sacred Lake filled up in 1925 due to an epidemic of malaria,
House of the Lake
and to the left the famous Lions  dedicated by the Naxians by the end of 7th century BC. 
The terrace of the lions which was dedicated to god Apollo in Delos
The inscription on the western side of the base reads,"the Naxians of Apollo".
Initially there was perhaps a row of animals bordering from the east side the avenue, by which those landing on the archaic port would reach the northern entrance of the Sanctuary. The great building (northwest of the Lions housed the association of merchants, ship owners and bankers from Beirut. Further north is another quarter of the ancient town, partly excavated. The shops east of the Establishment of the Poseidoniasts  and those on the Lake Agora are mainly bakeries and wine sellers. 
The Lake House is a typical example of a Delian house of the late 2nd century BC. The rooms are arranged around an open square court, surrounded by porticos, which provides ventilation and illumination. Under the central part of the court there is always a large cistern in which rainwater from the roof was collected On the ground floor are the reception and dining rooms, the latrines, the kitchen, cellars, working rooms and rooms for the house slaves. On the upper floor are the private rooms of the owners and the women’s quarters. Close to the Lake House are the Granite Palaestra and the Lake Palaestra . Both palaestrae are comprised of a central court with cistern, around which were porticoes, exercise areas, exedras for discussions, changing rooms, vestiaries, baths, latrines etc. 
Turning south and passing by the Sacred Lake, and the Italian Agora  we reach the main road, north of the Sanctuary. Continuing this road eastwards one can visit the Archegesion, the Gymnasium, the Stadium , the Stadium Quarterand the Jewish Synagogue.
The Minoan Fountain is a square public well of the mid sixth century BC. Opposite the east end of the Portico of Antigonos is the monument dedicated by a certain Carystios, who as sponsor had won a prize for a theatrical performance (c. 300 BC) ca 300 BC to Dionysus: a phallus on a high base with relief representations of the god and his companions. In the 2nd century, beside the base, a small temple was built to the god in the form of a simple exedra, and a second phallus was placed symmetrically in it at the other end. Inside the exedra was the statue of a nude Dionysus seated indolently on a throne between two statues of actors in the costume of Old Silenus (in the Museum). 
Hand from the Colossus

North of the monument there are houses and shops and the road leading to the Museum . The findings from the excavations are kept in the Delos Museum, and include all or part of some 30,000 vessels, statuettes, small objects, 8,000 sculptures, and 3,000 inscriptions. Most of the sculptures, a few pottery and small objects are exhibited in the Museum’s eleven halls. 
A modern path, south of the Museum, constructed over the unexcavated quarters of the ancient town, leads uphill, to the Sanctuary of the Syrian Deities. Next to it is the Sanctuary of Egyptian Deities with the temple of Isis. The Sanctuary of Hera is located on a specially created terrace at the foot of Mt Kynthos. On the slope of the hill are the Sanctuary of Agathe Tyche and the Grotto of Heracles, a natural cleft in the rock, roofed by enormous slabs of granite. A stairway leads to the crest of the hill, to the Sanctuary of Zeus and Athena, where from one has a superb view of the Cycladic islands around Delos.
The House with the Dolphins and the House with the Masks are luxurious private houses with excellent mosaic floors. Passing the Xenon, an hotel with an enormous cistern and the Theater with the impressive cistern we enter the Theater Quarter, one of the oldest residential quarters of the ancient city. The House with the Trident is the wealthy residence of a ship owner, or merchant. In Dionysus House there was found an exceptional mosaic depicting the god riding a tiger (Museum). The headless statues of the owners welcome the visitor to the House of Cleopatra .
House of Cleopatra
The narrow, paved road leads the visitor back to the port and the Agora of the Competaliasts, where the tour began. 


Heraion (Temple of Hera)
House of the Trident
Temple of Isis
Establishment of the Poseidoniasts
The theatre
Sources / Bibliography / Photos



Source/Photography/Bibliography

(Ανώνυμο) «Παρατηρήσεις επί των νήσων Δήλου και Ρηνείας και περί εμπορίας παρά τινος των εμπορευομένων Ελλήνων» - Σύρος 1829
Γ. Γρυπάρης «Υπόμνημα περί των εις την Μύκονον ανηκουσών ερημονήσων» - Αθήναι 1862
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Olaf Tausch
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Bernard Gagnon
Dorieo21
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whc.unesco.org
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Zde 
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Th. Homolie: «Les archives de l'intendance sacree a Délos» - Paris 1887
Χρ. Σ. Δουκάκης «Εκδρομή εις Δήλον - Τα Δήλια» - Σύρος (Ημερολόγιο Γυμνασίου Σύρου) 1889 σ.180-186
https://www.efa.gr/index.php/en/recherche/sites-de-fouilles/cyclades/delos
Π. Γ. Ζερλέντης «Η Επισκοπή Δήλου» 1907 («Εκκλησιαστική Αλήθεια» τ.ΚΗ΄, σ.279-282, και 303-305) 1907
www.wikipedia.org
Ι. Βελανιδιώτης «Αι επισκοπαί Παροναξίας και Δήλου» 1907 {Ιερομνήμων Βόλου 1907, σ.7)
Jen Richer «Delphes - Délos et Comes», Ed. Julliard - Paris 1970
P. Roussel «Délos» - Paris 1925
http://odysseus.culture.gr
«Δήλος: Η ιέρεια του Αιγαίου». Ειδικό αφιέρωμα περιοδικού Γεωτρόπιο τεύχος 79 σ. 66-73 (Οκτ. 2001)

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